建筑电影!空间中的心理位移(光影)坚固的形象配上液化的镜头语言solid flesh melt into a dew把原作染上新色彩的改编再不要有任何人摆着脸说[这不是cinema长安三万里是舞台剧了]看看这戏中戏的调度镜头的半圆形摆动使它超出了(戏中-戏外)同心圆的延伸准确地达到了一种偏离中心的效果这和哈姆雷特本人所提的一种"最初无心却过度发展的悲剧性缺陷"有着异曲同工之妙
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Love is not breathlessness, it is not excitement. it is not the desire to make every second of the day. It is not lying awake at night imaging that she is kissing every part of your body. Love itself is what is left over when being in love has burned away.