首先是神来之笔般的初面与诀别的调度其次这一定不是什么东西的反面、或者什么东西的女版但是不能不承认爱情感觉的缺失太难过了这就是造自己的城的代价XOXOXO性ⅩⅩⅩYY欧美需要导演的调度、演员的演绎和角色的设置都做到聪慧理性、避让旧习、无比自知而这些加在一起几乎浇灭了(观众一侧)爱情感觉生发的可能性而男导演天然地没有这层负担这部片的 one true love, 也是情感力量的来源实际上是席安玛对哈内尔的
4.5 love it, even though the line between fiction and reality is supposedly clear particularly after 2nd viewing (obviously, the execution, the writer, the attempted suffocation by pillow scene are all imaginary) , there are still lots of postmodern smoke and mirrors and humors left (what the heck with all the bleeps, what does alien abduction mean, and at the very end, is Petrov just returning home ALONE? and his house becomes a dollhouse! Has he always been alone and the entire film is his comic work?). Now the cliched praise: dashing camera, surreal transition, 3-act structure each in its own shooting style and lighting invoking distinct emotions and motifs undercutting one another.